000			02087cam a2200361 i 4500
005			20160720142947.0
008			140619s2014 enka 000 0 eng
010			_a 2014019406
020			_a9781107040649 (cloth) _c6312
040			_aDLC _beng _cDLC
082	0	0	_a822.33 _bGAL
084			_aLIT004120
100	1		_aGaley, Alan, _d1975-
245	1	4	_aThe Shakespearean archive : _bexperiments in new media from the Renaissance to postmodernity / _cAlan Galey.
260			_aCambridge _bCambridge University Press _c2014
300			_axv, 331 pages : _billustrations ;
504			_aIncludes bibliographical references and index
505	8		_aMachine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory.
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation _xHistory.
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism, Textual.
600	1	0	_aShakespeare, William, _d1564-1616 _xBibliography.
600	1	0	_aShakespeare, William, _d1564-1616 _xStudy and teaching _xTechnological innovations.
600	1	0	_aShakespeare, William, _d1564-1616 _xIn mass media.
650		0	_aArchives _xTechnological innovations.
650		0	_aArchival materials _xDigitization.
650		0	_aLiterature and technology.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
850			_aLCLIB _bPG
856	4	2	_uhttp://assets.cambridge.org/97811070/40649/cover/9781107040649.jpg
942			_cBK
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
999			_c40598 _d91077