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The Shakespearean archive : experiments in new media from the Renaissance to postmodernity / Alan Galey.

By: Galey, Alan, 1975-Material type: TextTextPublication details: Cambridge Cambridge University Press 2014 Description: xv, 331 pages : illustrationsISBN: 9781107040649 (cloth)Subject(s): Shakespeare, William, 1564-1616 -- Criticism and interpretation -- History | Shakespeare, William, 1564-1616 -- Criticism, Textual | Shakespeare, William, 1564-1616 -- Bibliography | Shakespeare, William, 1564-1616 -- Study and teaching -- Technological innovations | Shakespeare, William, 1564-1616 -- In mass media | Archives -- Technological innovations | Archival materials -- Digitization | Literature and technology | LITERARY CRITICISM / European / English, Irish, Scottish, WelshDDC classification: 822.33 Other classification: LIT004120 Online resources: Click here to access online
Contents:
Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory.
Holdings
Item type Current library Call number Status Date due Barcode Item holds
Books Books Loreto College
Loreto College
Post Graduate 		822.33 GAL PG25 (Browse shelf(Opens below)) Available 44258
Total holds: 0

Includes bibliographical references and index

Machine generated contents note: 1. Introduction: scenes from the prehistory of digitization; 2. Leaves of brass: Shakespeare and the idea of the archive; 3. The archive and the book: information architectures from folio to variorum; 4. The counterfeit presentments of Victorian photography; 5. Inventing Shakespeare's voice: early sound transmission and recording; 6. Networks of deep impression: Shakespeare and the modern invention of information; 7. Data and the ghosts of materiality; 8. Conclusion : sites of Shakespearean memory.

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